Ebook Herunterladen Hollywood in Kodachrome, by David Wills
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Hollywood in Kodachrome, by David Wills
Ebook Herunterladen Hollywood in Kodachrome, by David Wills
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Buchrückseite
Kodachrome film saturated the 1940s with an unprecedented explosion of color. Movie audiences, accustomed to seeing photographs of their favorite stars on magazine covers, billboards, and cinema marquees in monochrome or black-and-white, were suddenly enthralled as their idols came to life in vibrant hues as flesh-and-blood human beings. For the first time, the world was treated to the glory of Rita Hayworth's auburn hair, Gary Cooper's blue eyes, Betty Grable's rosy cheeks, and the multicolored fruit bouquets of Carmen Miranda's hats.Curator and photographic preservationist David Wills has amassed one of the world's largest private collections of original Kodachromes and color photographs from the 1940s. Now, in Hollywood in Kodachrome, he has gathered spectacular, museum-quality work from many of the great photographers of Hollywood's golden era—George Hurrell, Clarence Sinclair Bull, John Engstead, Paul Hesse, Ernest Bachrach, Bernard of Hollywood, Robert Coburn, Ray Jones, Bud Fraker, Frank Powolny, Eugene Robert Richee, and many others—to create this stunning portfolio of images that pays homage to the richest, clearest, most brilliant, and archivally dependable film stock in history.Among the highlights: Rare and classic images digitally restored from their original 4x5, 5x7, and 8x10 Kodachrome sheet transparencies, vintage Carbro and dye transfer prints, and modern Cibachrome prints. Never-before-seen publicity photos, scene stills, and work shots from many of Hollywood's most beloved films of the 1940s. Previously unpublished portraits of Clark Gable, Bette Davis, Cary Grant, Lana Turner, Errol Flynn, Lucille Ball, Frank Sinatra, Elizabeth Taylor, John Wayne, Marilyn Monroe, and many others. Rare "posed candids" and behind-the-scenes photos of stars at play, poolside, relaxing at home, and with family. Unpublished outtakes of stars in famous ad campaigns, including Max Factor, Lux, Lipton Tea, Lucky Strike, and Royal Crown Cola. Never-before-seen WWII patriot photography of stars in service uniform and posing with the American flag.Pairing more than 250 first-generation photographs with vintage magazine covers, advertisements, movie posters, quotes from photographers, and a personal foreword by Hollywood's "Queen of Technicolor," Rhonda Fleming, Hollywood in Kodachrome is an unforgettable showcase of a time when movies were truly glamorous and color photography reigned supreme at its most luscious.
Über den Autor und weitere Mitwirkende
Australian-born David Wills is an author, independent curator, photographic preservationist, and editor who has accrued one of the world's largest independent archives of original photographs, negatives, and transparencies. He has contributed material to many publications and museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Phoenix Art Museum, and the Academy of Motion Picture Arts and Sciences.Wills has produced a series of photography exhibitions based on images from his archive. His shows include Murder, Models, Madness: Photographs from the Motion Picture Blow-Up; Edie Sedgwick: Unseen Photographs of a Warhol Superstar; Blonde Bombshell; James Bond; Women with Issues: Photographs from the Motion Picture Valley of the Dolls; and Warhology.Wills's books include Ara Gallant; Marilyn Monroe: Metamorphosis; Audrey: The 60s; Hollywood in Kodachrome; and Seventies Glamour. He is also the co-author of Veruschka.His books and exhibitions have received major profiles in the Los Angeles Times, the New York Times, Vanity Fair, American Photo, Vogue, Interview, and Time. He has also written articles on photography and popular culture for publications including the Huffington Post, V Magazine, and Palm Springs Life.
Produktinformation
Gebundene Ausgabe: 352 Seiten
Verlag: It Books (5. November 2013)
Sprache: Englisch
ISBN-10: 0062265547
ISBN-13: 978-0062265548
Größe und/oder Gewicht:
22,9 x 3,8 x 29,2 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
2 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 32.432 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
... so Bette Davis in der Einleitung zu dem grandios-glamourösem Band. 'We all have life 24 hours a day and sometimes we want to forget life.' In eben diesem Falle greift die Traumfabrik Hollywood und entführt den Alltagsgeplagten in eine andere, schönere und sorgenfreie Welt. Purer Eskapismus - aber der schönsten Form, der wir hier in diesem genialen Prachtband begegnen. Hochwertige Farbfots der Kodachchrome-Ära mit allen Stars der 40er. Nach einem Vorwort Rhonda Flemings, die ebenso wie Lucille Ball ihre Karriere erst so richtig in Farbe begann, und einer informativ-knappen Einführung des Herausgebers David Wills folgen farbenprächtig, wunderschöne Porträts und Ganzkörperaufnahmen illustrer Schönheiten. Yvonne de Carlo, die sich ebenso wie Gene Tierney lasziv räkelt, eine nackte junge Marilyn, Veronika Lake in strahlendem Weißblond ... Da gehen wohl jedem, egal ob filmbegeistert oder nicht, die Augen über."When Goddesses roame the earth" - so dann auch das erste Kapitel. Über "Light and Illusion", "Technicolor Tessie" (Spitzname Lucille Balls, begegnen uns Stars mit ihren vierbeinigen Freunden ("The posed candid"). Auch in Kriegszeiten wusste man das Potenzial der Stars und die Anziehungskraft Hollywoods zu nutzen, wie das Kapitel "Stars and strips" zeigt. Dass unsere Schönen und Reichen auch immer gut für eine Werbeeinlage waren zeigt uns das abschließende Kapitel "Selling the dream". Joan Crawford, die für Zigaretten posiert, rita Hayworth, die wie so viele andere Lux an die Frau bringt oder Hedy, die mit Glamour Dust die Frau glorifizieren will (by the way - das dort gezeigte Fotos stammt nicht aus der MGM-Production "Dragon Seed", sondern aus den "Ziegfeld Follies."Und so entsteht beim Lesen und durchblättern dieses farbenfrohen, wundervoll layouteten Bandes das Gefühl, eine großartige Zeit (zwar verpasst zu haben, aber doch am Rande) miterleben zu dürfen. Während gerade den rothaarigen Damen Kodachrome erst zu Ruhm verhalf, und es andere von ihrem Sockel herunterholte (z.B. Carole Lombard), sie menschlicher und weicher erscheinen ließ - auch die Männer profitierten davon - erscheinen andere in Farbe etwas unvorteilhaft und outdated - man betrachte die wenigen Farbfotos der Crawford und Dietrich (Marlene war einfach nur grandios in s/w mit der richtigen Lichtsetzung). Auch die Aufnahme der 36-jährigen Garbo wirkt maskenhaft und älter ...Fazit: Viele wunderschöne Fotos zum angemessenen Preis. Wunderbarer Prachtband einer goldenen Zeit, die zwar höchst illusorisch und eskapistisch war, dafür aber umso schöner. Absolutes must have für den Filmaffinen!!
mint condition, good book perfect seller every thing is gone ok, thank you very very much, bye bye see you
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